International Journal of Cultural Property

Volume 25 – Issue 4 – November 2018

Editorial: Foodways as Intangible Cultural Heritage

Chiara Bortolotto, Benedetta Ubertazzi 

Mapping the Potential Interactions between UNESCO’s Intangible Cultural Heritage Regime and World Trade Law

Tomer Broude

Food As a Collective Heritage Brand in the Era of Globalization

Julia Csergo  

Food as Heritage and Multi-Level International Legal Governance

Lucas Lixinski

Japan’s Washoku as Intangible Heritage: The Role of National Food Traditions in UNESCO’s Cultural Heritage Scheme

Voltaire Cang

Safeguarding the Art of Pizza Making: Parallel Use of the Traditional Specialities GuaranteedScheme and the UNESCO Intangible Heritage Convention

Harriet Deacon 


Select How to Protect Traditional Food and Foodways Effectively in Terms of Intangible Cultural Heritage and Intellectual Property Laws in the Republic of Korea

Gyooho Lee 

From the Mediterranean Diet to the Diaita: The Epistemic Making of a Food Label

Antonio José Marques da Silva

Issue available here:https://www.cambridge.org/core/journals/international-journal-of-cultural-property/issue/A36590C2174AAE38DEACB35E5E73FBC1.

#PizzaUnesco or the embarrassment of heritage alienability

Food as a cultural heritage: challenges, processes and perspectives

Conference organised by the European Institute for the History and Cultures of Food (IEHCA, Tours, France)


In its classic definition, heritage is the inalienable possession of a group, often imagined as a nation. With intangible cultural heritage (ICH), UNESCO introduced key shifts in this understanding. Based on ethnographic observations of the meetings of the statutory organs of the Convention for the safeguarding of the intangible cultural heritage and focusing in particular on the case of the “Art of Neapolitan Pizzaiuolo”, this paper explores the controversies generated among heritage policy-makers and administrators by « risks of over-commercialisation » of ICH. For heritage entrepreneurs denying commercial dimensions is nothing but prudery. How is this economic component, intrinsic to many ICH elements, articulated with the heritage one in UNESCO narratives? How is the “paradox” of alienable heritage affecting our representations and uses of it? How does the definition of heritage as a community resource, rather than a national symbol, affect its commodification? I argue that the embarrassment prompted among heritage policy-makers and implementers by the overlapping of commercial and heritage values reveals the liminal nature of ICH and its potential to mirror broader social, economic and political aspects of neoliberal globalisation.

Association of Critical Heritage Studies, Hangzhou, China, 1-6 September 2018


UNESCO frictions: the social lives of international heritage norms

UNESCO heritage policies are often associated with the spectre of cultural globalisation grounded on what Michael Herzfeld calls a  “global hierarchy of values”. Indeed, anthropological research on the social impact of the inscription on UNESCO World Heritage and Intangible Cultural Heritage lists provides evidence of the “UNESCOisation” (Berliner 2012) of local ways of representing culture and conceiving cultural transmission and emphasizes the top-down influence of “good” governance international principles on local logics and priorities.

At the same time, a close analysis of the institutional mechanisms and procedures underpinning the whole chainof the implementation of UNESCO heritage conventions sheds light on the agency of particular human and nonhuman actors involved in this process across the different scales of UNESCO-driven heritage governance : laws, institutions, policies, civil servants, local authorities, heritage experts, civil society, heritage “bearers”.

This session explores this agency, showing how international norms come to life through their national and local interpretations, uses and adaptations to different political, institutional, economic and socio-cultural situations.This session aims at exploring the different lives of international heritage norms focusing on the original outcome of the encounter between their universal aspirations and the diversity of the interpretations given to them, that is to say the “creative friction” (Tsing 2005) whichmakes these lives possible. We are interested in analyses that unpack the global/local dialectic looking in particular at the complex process of legislative, institutional, social and cultural translationsthat simultaneously globalize and localize international policies. How does the travel of an international standard change its meaning? How does an international norm engage and compromise with existing heritage regimes? What does the complexity of these practical interconnections tell us about the universal ambitions of global heritage governance?

Introduction (Chiara Bortolotto École des Hautes Études enSciences Sociales) 

ICH Backstage: Navigating the Heritage Bureaucracy in China (Philipp Demgenski École des Hautes Études enSciences Sociales)

Mobilizing for ICH safeguarding: The political and social  indigenization of UNESCO norms in China (Christina Maags SOAS, University of London)

When the connections are not obvious: diverted meanings in heritage-making between the global, the national and the local in Brazil (Simone Toji Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN) École des Hautes Études en Sciences Sociales (EHESS))

Following the 2003 Convention social life in the Portuguese panorama ( Ana Carvalho, University of Évora, Portugal)

Intangible Heritage (Contra)Versions: From ‘Folklore’ into Best Safeguarding Practices (Pedro Antunes ISCTE-IUL; FCSH-UN

Space F(r)ictions. The Politics of Scale and the Unesco Intangible Cultural Heritage List (Bernard Debarbiex & Hervé Munz, University of Geneva)

The Flight of the Condor: A Letter, a Song, and a Couple of Lessons on Intangible Cultural Heritage (Valdimar Tr. Hafstein University of Iceland)

Negotiating methods and navigating positions: between expertise and research on UNESCO heritage policies

Kristin Kuutma and Chiara Bortolotto

This paper presents a first reflexive analysis of collaboration with our research partners within the UNESCO apparatus as a methodological approach to study International Organisations. By investigating UNESCO from within, we contemplate a world organisation as a field and elaborate on the method and accountability of anthropological approach. The discipline of social anthropology holds the study of organisations at the heart and has a long record of exploring organisations as sites where systems of meaning are produced and circulated. Our analysis is based on long lasting fieldwork and observant collaboration to explore policy-making and governance related to the UNESCO 2003 Convention for the Safeguarding of Intangible Cultural Heritage (ICH). For us, the field has been a site for collecting data as well as a space that embodies strategic intervention in organisational activities, which allowed us to investigate procedural and arbitrational mechanisms or negotiations in order to unravel the entanglement of relationships at play and to recognize also subjective factors in the process. The international policy setting scene of the Intergovernmental Committee meetings to the Convention and its subsequent ad hoc consultative or subsidiary bodies becomes extended to organisational formats and policy-setting activities for implementing the Convention. By drawing on our outsider inquisitive perspective and insider collaborative approach, we propose to unravel different aspects and diverse experience in collaborating with the UN staff. We pose questions about positionality and the process of reflexive knowledge production.

 

Musique et patrimoine immatériel : le cas du “samba de roda” de Bahia

Conférence de Carlos Sandroni, « Midis de Brésil(s) ». Séminaire mensuel pour le débat brésilianiste coordonné par Amanda Dias, Camila Georgetti et Mônica Raisa Schpun

En 2004, le ministère de la Culture brésilien a décidé de soumettre à l’Unesco la « samba de roda » de la région du Recôncavo, dans l’État de Bahia, dans le but de l’inscrire sur la troisième Déclaration des œuvres du patrimoine immatériel de l’humanité. À cette fin, il a été nécessaire d’élaborer un dossier de candidature avec des informations, des photos, des vidéos et des enregistrements. Un ethnomusicologue a été recruté pour diriger la réalisation de ce dossier. Au cours de ce processus, d’innombrables questions ont émergé concernant la samba et la représentation des cultures subalternes, sur l’identité nationale, les politiques publiques liées au patrimoine culturel, et l’idée d’une ethnomusicologie « engagée ». La candidature brésilienne a été acceptée par l’Unesco à la fin de l’année 2005. Depuis lors, les débats autour de ces questions reste vivant et prend de nouvelles dimensions.

Lundi 28 mai 2018, de 12h à 14h
salle B204, EHESS

54 bd Raspail, Paris 6e